Wave of the future

The purpose of this blog is to add yet another blog to an internet already saturated with millions of blogs. Your host is the honourable Adam McLellan (AKA Snug), a computer scientist, musician and long time resident and advocate of the internet. Here you will find updates on his projects as well as music production articles and gear reviews.

Monday, November 30, 2009

Fun with Ableton

So I've spent the past few days setting up a live set using Ableton and my Novation X-Station. So far it consists of 7 audio channels, most of which have a dedicated effect, with a bunch of stuff pre-mapped to the X-Station.

Here's the channel breakdown as it stands now:
  • 1: Beat repeat, EQ3 & auto filter
  • 2: Dry
  • 3: Saturator
  • 4: Phaser
  • 5: Grain delay
  • 6: Dry
  • 7: Auto filter
  • Send A: filter delay, compressor
  • Master: compressor
Channels 1 & 2 are used for drums, and channel 3 for bass. Everything else is used for whatever.

I've mapped 7 of the sliders on my X-Station to the channel volumes, and the buttons above to the mutes. The rest of the knobs and buttons control various effects parameters. Here's the template from the Novation X-Station editor so you can see what I mean:


Here's a run-down by section:

OSCS-MIXER
  • SEND A: send A level (ch1)
  • REPEAT: toggles beat repeat (ch1)
  • LOW CUT: cuts the low on EQ3 (ch1)
  • S. LEVEL: saturator dry/wet (ch3)
  • S. BASE: saturator base level (ch3)
  • P. LEVEL: phaser dry/wet (ch4)
  • P. RATE: phaser rate (ch4)
  • G.D LVL: grain delay wet/dry (ch 5)
FILTERS
The filters section is mapped to the auto filters on channels 1 & 7 (toggled via the 1-2 button). Ideally I'd have a separate controller for each filter, but this should do for
now.
  • F. FREQ: filter frequency
  • FLT. RES: filter resonance
  • F.E. AMT: filter envelope amount
  • F.L. AMT: filter LFO amount (filter 1 only)
  • F. TYPE: filter type
LFOS
  • FLT. RTE: controls the filter rate for filter 1
EFFECTS
  • SEND A: feeds send A back to itself
  • F.D. FRQ: filter delay filter frequency
As you can see, I still have a few more sliders I could map to an 8th and 9th channel. I'm thinking about adding one channel for MIDI clips, and one for general effects (swooshes, etc.) that I could trigger from different keys. I was also thinking about setting up some side-chain compression, say, take the low-end from channels 1 & 2 (beats) and use it to side-chain the bass channel and possibly my "swoosh" channel.

More to come on this as it evolves :)

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